Stories of Clorinda, Jephte and Ismène

Opera production

Stories of Clorinda, Jephte and Ismène

by | Jul 7, 2020


Claudio Monteverdi (1567-1643). Operatic scena Il Combattimento di Tancredi e Clorinda (1638)

Giacomo Carissimi (1605-1674). Oratorio Jephte (~1648)


François Rebel (1701-1775) / François Francœur (1698-1787). Pastorale heroique Ismène (1747)

Total time: 1h30min

One of the most beautiful master works of the first half of 17th century, one act scenes – Il Combattimento di Tancredi e Clorinda and Jephte – represent early form of opera. Rhetoric and historical gestures are main keywords to this wonderful world of Greek tragedy. Whereas story of Daphnis and Ismène love is delicate 18th century example of fashion of Versailles in that period. Moreover, already at that time, among their contemporaries, both composers – François Rebel and François Francœur – were famous for deliberately hiding their authorship, creating a veil of mystery around Pastorale heroique Ismène to this day.

Il Combattimento di Tancredi e Clorinda

At a time when Crusader troops heroically defend the kingdom of Jerusalem, the knight falls in love with the Saracen princess. It is even more foolish to fall in love with a woman who, dressed in knight’s armor, fights invincibly against crusaders and is at the forefront of the best warriors. Tancredi’s love does not allow him to accept Clorinda’s challenge to the duel, and only the accidental encounter in the dark is once fatal – Tancredi does not recognize Clorinda, accepts the challenge, and as a result of a long-lasting combat, Clorinda is killed in the chest. Only after that desperate Tancredi finds out his irreversible mistake, but it is too late. Love, which turns out to be mutual, is not destined to come true. Clorinda dies.


The Israelis must prevent an Ammon attack that can prove to be fatal. Managing the struggle against the Ammon was entrusted to Jephte, a brave soldier. He promised Jehovah, “If you help us win this battle, I’ll give you the first one coming out of my home to expect me to come back.” Jehovah listened to Jephte’s request and helped him win.

When Jephte came home, his daughter – his only child – came out in front of him. She danced and played tambourine. How will Jephte act? Remembering his promise, he exclaimed, “Oh no, my daughter! You break my heart! I made a promise to God. I have to keep it! But Jephte’s daughter said, “Father, if you have promised God, you have to do it. Just allow me to spend two more months in the mountains with my friends. Then I would obey my destiny.


Oh, this Daphnis, whose heart is full of love for beautiful Ismène. The flowers in the meadow, the mountain stream and the air to breathe are full of his love. The good friend Cloé also feels the flames of love sparkling in the hearts of Daphnis and Ismène. But what will Oracle say? Will Gods allow both lovers enjoy the pleasures of love? Maybe Daphni’s story of the shepherd and the beautiful nymph who loves each other will make Ismène’s heart beat faster and increase magic between the two, or will they remain as beautiful images in a vicious fairy tale? However, the feelings of both are so real that Oralus does not resist them to feel the most beautiful of the pleasures – love.

Performers and creative team: 

soprano Ilze Grēvele-Skaraine, soprano Monta Martinsone, tenor Ansis Bētiņš, baritone Rinalds Kandalincevs, bass Edgars Skarbulis, baroque orchestra Collegium Musicum Riga, baroque choir Collegium Choro Musici Riga, conductor Māris Kupčs.Rhetorical gestures – Katerina Antonenko, choreographer of historical dances – Guna Ezermale, costume designer – Jeļena Forste, stage designer – Artūrs Arnis.